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c. 1445 – May 17, 1510. Italian painter.

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DAVID, Gerard
Pilate's Dispute with the High Priest; The Holy Women and St John at Golgotha dfg

ID: 06381

DAVID, Gerard Pilate's Dispute with the High Priest; The Holy Women and St John at Golgotha dfg
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DAVID, Gerard Pilate's Dispute with the High Priest; The Holy Women and St John at Golgotha dfg


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DAVID, Gerard

Netherlandish Northern Renaissance Painter, ca.1460-1523 Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling,   Related Paintings of DAVID, Gerard :. | Altarpiece of St Michael dfg | The Holy Women and St John at Golgotha dfv | The Marriage at Cana (detail) dsg | The Mystic Marriage of St Catherine dg | The Nativity (detail) xir |
Related Artists:
Adriaen van ostade
Dutch Baroque Era Painter, 1610-1685 Painter, draughtsman and etcher. According to Houbraken's rather unreliable biography, he was a pupil concurrently with Adriaen Brouwer of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, who was described as 'known far and wide' as early as 1627, had a decisive influence on the evolution of Adriaen van Ostade's always idiosyncratic portrayal of peasant life. The first documentary mention of Adriaen van Ostade as a painter is in 1632 (Schnackenburg, 1970). Most of his paintings are signed and dated, the earliest firmly dated example being the Peasants Playing Cards
John Collier
English Classicist Painter, 1850-1934
Karoly Marko the Elder
1791-1860






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